A lush orchestral arrangement starts playing. A series of captions pops up on the screen, highlighting different features of the woman standing in front of her, the costume-designing crime boss Coco Diablo: “Obviously brilliant!” Incredible glasses!” “Amazing turtleneck!” “Loves animals!”

Velma exhibits all the telltale signs of cartoon swooning. She blushes. Her eyeglasses fog. “Jinkiiiiees,” she sighs.

In a later scene, Velma professes her thirst for Diablo outright to her best friend, Daphne Blake.